Monday, March 12, 2012

Album Review: Screaming Trees – Invisible Lantern

In 1988 the Screaming Trees released their third album, Invisible Lantern.  Opener Ivy immediately sets the tone for the album, it’s muddier, heavier and more unhinged than their previous 2 albums.  A rough and ready, downward spiraling riff is the bedrock for Mark Lanegan to roar his vocals over, and roar he does with a gloriously messy performance.

Walk Through To This Side, is more psychedelic, with jangly, 60s sounding guitars, before following track Lines & Circles kicks up a fine racket with a bludgeoning riff right out of Gary Lee Conner’s book of monster riffs.  After the noise of She Knows and Shadow Song, Grey Diamond Desert slows things down, turning the fuzz down a shade and heightening the doom in Lanegan’s voice.

Some of the rest of the tracks are a little interchangeable, but Even If (presumable held over from 1987’s Even If and Especially When) has a fine gallop and a strong melody.  The album is quite far removed from the band’s 90s material, more like a punky, garage band than the classic rockers they would become.

Monday, March 5, 2012

Album Review: Dirty Three | Toward the Low Sun

Review for www.meg.ie http://www.meg.ie/dirty-three-toward-the-low-sun/

Album Review: Cheap Freaks | Bury Them All

Review for www.meg.ie http://www.meg.ie/cheap-freaks-bury-them-all/

Album Review: Corrosion of Conformity

Review for www.spillmagazine.com http://www.spillmagazine.com/html/album_reviews.HTM#CorrosionofConformity

Album Review: Bowerbirds - The Clearing

Review for www.spillmagazine.com http://www.spillmagazine.com/html/album_reviews.HTM#Bowerbirds-TheClearing

Sunday, March 4, 2012

Album Review: Stars of the Lid – The Tired Sounds of Stars of the Lid


Stars of the Lid are an American instrumental band specializing in repetitive, droning music taking elements of esoteric, classical music and combining them with ambient noises.  2001’s double album, The Tired Sounds of Stars of the Lid features many multi-part tracks, many of which are designed to lull you into a most pleasant stupor
Some tracks feature cello prominently though the instrumentation all sounds so strange that individual instruments are barely discernible, as the music is all processed and altered.

Some of it is very zen and soothing, the kind of music you might hear in a flotation tank, and some of it is staggeringly beautiful.  Requiem for Dying Mothers Part 2 manages all of the above in seven and a half minutes.  On a melody reminiscent of Low, the tired sounds of cellos enter the mix half way through, taking the listener off to the most heavenly dream states.

Down 3 features voices and static swooping in and out as a distant piano plays.  At times the instruments are barely noticeable or audible, all that is head is ambient noise.  It’s hard not to think of Eno on tracks like Austin Texas Mental Hospital and Broken Harbors.

At more than 2 hours it can be a bit long and there often appears to be long periods where “nothing is happening”.  However at its most digestible (the 3 minute Gasfarming, and FAC 21) it works well.  One of the most musical moments here is Piano Aquieu, which has a fine piano intro before relapsing into ambient bliss.

It’s an album that requires a lot of patience as the music is so minimal as to be barely there, yet its tired sounds are worth investing your time.