Review for www.nomoreworkhorse.com
Showing posts with label Jim White. Show all posts
Showing posts with label Jim White. Show all posts
Thursday, October 3, 2024
Wednesday, September 25, 2024
Bill Callahan – Button Factory – Live Review – 23-09-24
Labels:
Bill Callahan,
Button Factory,
Dublin,
Jerry David DeCicca,
Jim White,
live,
review,
Smog
Tuesday, June 25, 2024
Dirty Three – Love Changes Everything – Album Review
Labels:
album,
Dirty Three,
Jim White,
Love Changes Everything,
Mick Turner,
review,
Warren Ellis
Monday, October 2, 2017
Mark Kozelek with Ben Boye and Jim White
Review for www.nomoreworkhorse.com
https://nomoreworkhorse.com/2017/10/02/mark-kozelek-with-ben-boye-and-jim-white-album-review/
https://nomoreworkhorse.com/2017/10/02/mark-kozelek-with-ben-boye-and-jim-white-album-review/
Labels:
Ben Boye,
Dirty Three,
House Cat,
Jim White,
Mark Kozelek,
review,
Sun Kil Moon
Monday, March 5, 2012
Album Review: Dirty Three | Toward the Low Sun
Review for www.meg.ie http://www.meg.ie/dirty-three-toward-the-low-sun/
Sunday, July 3, 2011
Album Review: Dirty Three – Horse Stories

Dirty Three are an Australian instrumental trio, featuring Warren Ellis’ at times unhinged violin playing ably supported by the tasteful guitar of Mick Turner and Jim White on drums.
This album, released in 1996 was their third, and is a real mood piece. After the tranquil opener, 1000 Miles, Sue’s Last Ride is an early highlight. Building up from Turner’s gentle guitar part, the music has plenty of space in it for Ellis’ violin to rampage through the song, quickening throughout the piece. Hope is more downbeat with hints of Arab Strap’s instrumentation in the guitars, but I Remember A Time When You Used To Love Me is a rollicking, sway-along romp, and the first indication that the band is capable of rocking out.
At The Bar sees the pace slacken once again before the furious rocker Red, which eschews subtlety from the start in place of pounding drums, bashed guitars and demented violin from Ellis at its core, and doesn’t let up.
Warren’s Lament is surely the centerpiece, it’s like a microcosm of everything Dirty Three do over the course of eight and half minutes, with an especially lonesome violin part. It finishes with the somber, funereal I Knew It Would Come To This, with Ellis’ violin appearing to reference The Smiths at one point.
A whole album of violin playing takes some getting used to but for those who enjoy instrumental music in the Mogwai vein, this should be investigated.
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