The album doesn't quite sustain such peaks but remains interesting nonetheless: Up The Down Escalator bears all the hallmarks of early U2 EXCEPT Bono, while the shimmering Thursday's Child evokes early Cure. The most Joy Division-like moment here is the insistent A Person Isn't Safe Anywhere These Days,,some of the drum fills are reminiscent of that band's Atmosphere. But this album stands apart from these comparisons. It's a perfectly formed early eighties album to file alongside Closer and Faith.
Sunday, June 21, 2015
Album Review: The Chameleons - Script of the Bridge
The Chameleons were an eighties post-punk style band who I must admit I didn't discover till the mid noughties. Script of the Bridge is their debut album and it must have been on high rotation with Interpol and The Horrors. It has to be said that opener Don't Fall is a bit weak, a monolithic slab of whiny misery. After this the album picks up considerably. Here Today lurches back and forth agreeably but the following two tracks are two of the strongest. Monkeyland is all creeping tension, building up to a sweeping chorus where singer Mark Burgess belts out "it's just a trick of the light". Keyboards introduce Second Skin which has a soaring melody before Dave Fielding and Reg Smithies' spidery guitar lines fade into nothingness in the coda.
Friday, June 19, 2015
Thursday, June 18, 2015
Bully – Feels Like – Album Review
Review for www.nomoreworkhorse.com
Labels:
Alicia Bognanno,
Bully,
Feels Like,
Reason,
review,
Six,
Too Tough,
Trash,
Trying
Album Review: Sufjan Stevens - Carrie and Lowell
Sufjan Stevens is actually somebody who has passed me by up to now. His name has long been associated with credibility and has been dropped by many who like the 'right' sort of music. This is his seventh album and his first for five years. Gone are the singalong tunes and kitchen sink production to be replaced by a raw, sparse, largely acoustic sound throughout. Vaguely reminiscent of a slightly more produced early Elliott Smith, opening track Death With Dignity is a charming slice of acoustic guitar picking, topped off with a lovely keyboard solo midsong. Should Have Known Better is a highlight, a hard-bitten yet sweetly sung tale of harsh childhood memories.
There are great songs all over this album, from the insistent, down-strumming of Drawn To The Blood to the stunning, ghostly Fourth of July, Stevens lamenting "we're all gonna die" on the latter over swirling, wintry keyboard washes. The title track has one of the prettier melodies here, but in fact, one could easily pick out all eleven tracks here.
What keeps this from being a bit cloying and samey are the touches of weirdness here and there, the unexpected bursts of creeping keyboards that are barely noticeable at first till they pull you under... in a good way. Stevens' breathy vocals suit the songs well, inhabiting them without overwhelming them. It's an old-fashioned album that hangs together well and is bound to feature in end of year lists.
Tuesday, June 16, 2015
Ryan Adams – Live at Carnegie Hall – Album Review
Review for www.nomoreworkhorse.com
Labels:
Am I Safe,
Avenues,
Heartbreaker,
Live at Carnegie Hall,
review,
Ryan Adams,
Sylvia Plath,
Trouble,
Whiskeytown
Mairead O’Neill Laher – In My Element – Exhibition
Review for www.nomoreworkhorse.com
Labels:
In My Element,
Mairead Laher,
review,
Signal Arts Centre
Friday, June 5, 2015
Sun Kil Moon – Universal Themes – Album Review
Review for www.nomoreworkhorse.com
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