Review for www.nomoreworkhorse.com
Sunday, February 25, 2018
Elbow – 3Arena – Live Review – 24-02-18
Labels:
3 Arena,
Birds,
Bones of You,
Dublin,
Elbow,
Grounds For Divorce,
Guy Garvey,
John Grant,
Lippy Kids,
live review,
One Day Like This,
review,
Starlings,
Villagers
Saturday, February 24, 2018
Moaning – Moaning – Album Review
Review for www.nomoreworkhorse.com
Labels:
Artificial,
Close,
Does This Work For You,
For Now,
Misheard,
Moaning,
review,
The Same,
Tired,
Useless
Wednesday, February 21, 2018
Morrissey – 3Arena – Live Review – 20-02-18
Review for www.nomoreworkhorse.com
https://nomoreworkhorse.com/2018/02/21/morrissey-3arena-live-review-20-02-18/
https://nomoreworkhorse.com/2018/02/21/morrissey-3arena-live-review-20-02-18/
Tuesday, February 20, 2018
Malojian – Whelan’s – Live Review – 18-02-18
Review for www.nomoreworkhorse.com
Friday, February 2, 2018
Interview with Ryley Walker
Article for www.nomoreworkhorse.com
Labels:
Bill MacKay,
interview,
Ryley Walker
Thursday, February 1, 2018
Protomartyr - No Passion All Technique
The debut album from Protomartyr came out in 2012. It's a more straightforward proposition than subsequent albums, made up of lots of shouty songs with Greg Ahee's tightly wound post-punk riffs like In My Sphere, Machinist Man and Hot Wheel City amongst others. They are not terrible songs, but fairly unremarkable.
When they deviate from this formula it's a lot more satisfying. Three Swallows has a deeply yearning guitar riff, along the lines of The National. Singer Joe Casey sings a fairly ordinary line "you used to be so beautiful" with a fair degree of pathos, giving it enormous resonance. The whole thing is done and dusted in less than two and a half minutes. Jumbo's feels like a centrepiece. The longest song here, it opens with a wobbly-sounding riff which gradually gets more and more ragged, allowing Casey to bawl lyrics like "I will not have a drink" and "every night at Jumbo's" over it. Other tracks such as Ypsilanti, Feral Cats have their tightly-wound riffs infused with just enough melody to keep you coming back. Too Many Jewels stomps in with a hard-ass, squalling riff, while the fatalistic sounding How He Lived After He Died has a strong chorus that you could almost sing along to.
So nothing earth-shattering here but will be of interest to anyone who enjoys this band's music.
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